Every skyscraper is trying to be unique and iconic - in a densely built city it doesn't hurt because at the scale of the city they are all like perfume bottles on a dresser: the individual appearances don't really matter anymore, but rather the whole field is the impression. The more unique and impressive ones are admired individually in print (enlarged and singled out, reviewed for their merits, beauty and poetry- like perfumes) and in person.
In print, the criteria for critique is simultaneously zoomed in and zoomed out - zoomed into the engineering and architectural details and zoomed out into the object-form. It is primarily a critique of form and appearance that can be seen in print. What can be read (in words) in print is a critique of the space, but this is built on a personal experience of the space in person.
In person, the experience of the object-form is second place to the experience of immediate space. A small blank wall in print is a huge blank wall in person. In person, the sequence of rooms and the height of room ceilings, the color and texture of walls, circulation paths, the chance for encounters, the implied barriers and entries, the freedom or oppression, these become first place.
So, designing at two scales, 1) Object-form, 2) Space/function
Which is more important?
(In a small building, the two meld together much more, because there the form of a room and the sequence of spaces can actually determine to a greater extent the form of the building without contrivance, while in a large building with many rooms an over-arching form is needed (?) )
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